Monday, January 23, 2017

Why We Listen to Jazz - John Field

For Mike Litt and Bob Bamberg

Listening to Paul Desmond play East of the Sun
Is like watching JFK sipping the sound
Of a dry martini in the oval room
While Marilyn Monroe 
Bats her silky eyelashes at him 
Gently as a butterfly coming in for a landing 
On his waiting lips.

When the embers of our waning passion
Finally grow stone cold
Who gives a damn anyway? 
So what if we’re too old to jump and jive
Each time Basie swings the blues 
Or Armstrong sings
Struttin’ with some barbecue.

Not for us The Sound of Music 
And its chorus line
Of dancing nuns in bacchanalian rut.
Give us instead a ballad by Chet Baker
Which calms our nerves 
With an influx of evocative notes 
Light as cannabis smoke 
Mixed with twilight mist 
And stippled with fireflies  
Which flutter down from the sky
And settle in our deeps forever.

After John Coltrane kicked his habit 
He gave praise to God in sheets of sound, 
Thunder and blast, a love supreme, 
His art a vision he blew heavenward 
Through the mouthpiece of his saxophone.

Distant as Latin the look in Bill Evans’ eyes
As his fingers weave
Jade Visions’ unearthly melody
Into transcendental patterns
Of everything there is out there
Beyond the stars,
Ethereal jazz that makes us feel
Like we were going to heaven 
Instead of Peru.
When Lester was a Young hipster
He was so ultra super icebox cool 
Billy Holliday nicknamed him
The prez-id-ent.
Listening to the breathy tone 
Of his saxophone’s contagious rapture
Is like driving a black Cadillac 
Through the streets of Manhattan 
At midnight
While our two best friends
Are having sex in the back seat.
Drive on, baby, drive on, 
Keep your eyes on the road   
And accept the night for what it is,
A ride on the wild side 
Played out in sweeps 
Of sweet sixteenth notes, 
The prez-id-ent’s gift to us----his alpha
And omega salute to joy.

Great things endure----bread and wine
And Thelonius Monk
Never surpassed or overlooked. 
His compositions, nutty songs 
Like Misterioso and Humph, 
Take us to the edge of the world 
And drop us over.
No longer safely wedged 
Between the ceiling and the floor
We listen enchanted and perplexed 
To the jangly tremulous path 
His fingertips follow 
As they wander in short choppy strides
Across the keys----creating Jerky rhythms 
Which lead us to believe
We are his privileged guests
In the strange oasis of his dreams, 
Mirages, rainbows, sunsets, phantoms,
Reflections on water and beautiful women. 
Either that or what he’s doing
Is pursuing jeweled illusions 
In carnival halls filled with ornamental
Distorting echoes
The likes of which we’ve never heard before.

                                 ***

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